The fable has been a favourite with artists and sculptors.

Only in the cage does the lion come to realize that his own pride was his downfall. Resentful of the idea that a creature so pitiful might provide him a service, the lion angrily tells the mouse to flee while he's still alive. In Ivan Krylov's version (1833), the mouse, instead of disturbing the lion, requests permission to make a house upon his territory, stating it might one day prove useful in return. La Fontaine's Fables included a more succinct version of the story (II.11) in the following century. In this case, Marot has been imprisoned and begs Jamet to help him get released, playing on his friend's forename and styling himself the lowly rat (rather than mouse). This is an imitation of the Latin poet Horace's Epistles, addressed to friends and often applying Aesopian themes to their situations. The 16th century French poet Clément Marot also recounts an expanded version of the fable in the course of his Épitre à son ami Lyon Jamet (Letter to his friend Lyon Jamet), first published in 1534. There the poet Aphra Behn comments that no form of service is to be despised, for just as the humble mouse had aided the king of the beasts, so 'An Oak did once a glorious Monarch save' by serving as a hiding place when King Charles II was escaping after the battle of Worcester. A political lesson of a different kind occurs in Francis Barlow's 1687 edition of the fables. The poem consists of 43 seven-lined stanzas of which the first twelve recount a meeting with Aesop in a dream and six stanzas at the end draw the moral the expanded fable itself occupies stanzas 13–36. The Scottish poet Robert Henryson, in a version he included in his Morall Fabillis in the 1480s, expands the plea that the mouse makes and introduces serious themes of law, justice and politics. Later English versions reinforce this by having the mouse promise to return the lion's favor, to its sceptical amusement. The moral of the story is that mercy brings its reward and that there is no being so small that it cannot help a greater. Hearing it roaring, the mouse remembers its clemency and frees it by gnawing through the ropes. The lion then agrees and sets the mouse free. The mouse begs forgiveness and makes the point that such unworthy prey would bring the lion no honour. In the oldest versions, a lion threatens a mouse that wakes him from sleep.

In the Renaissance the fable was provided with a sequel condemning social ambition. There are also Eastern variants of the story, all of which demonstrate mutual dependence regardless of size or status. The Lion and the Mouse is one of Aesop's Fables, numbered 150 in the Perry Index. Woodcut showing two scenes from the fable in the Ysopu hystoriado, Seville 1521

The lion and the mouse by jerry pinkney